# Gilde Flores

> CEO/Founder/Principal Composer

I don’t operate from theory. 
I operate from inside the work.

Nearly three decades across film, television, games, sports, and advertising, where music isn’t judged as an idea. It either works to picture, or it doesn’t.

I’ve spent my career inside that reality.

Before founding Paint The Noise, I independently placed over 3,500 pieces of music. Without a team or roadmap. Just learning how the system actually functions from the inside.

Over time, patterns become clear.

It’s rarely about talent or effort.
It’s structure. Timing. Alignment.

That’s the difference between music that gets passed on, and music that moves forward.

Today, Paint The Noise operates as a composer-led production company working directly within active production pipelines alongside an Emmy-winning TV studio.

This is where music is evaluated, shaped, and approved in real time.

Sessions:

•This is not a general conversation.
•This is a working session.

We focus on:

✔️ Where your music is falling short against real-world standards
✔️ Structural and creative misalignment
✔️ How your work is actually being evaluated
✔️ What needs to change immediately

Most creators are closer than they think.

They’re just solving the wrong problems.

If you want clarity instead of guesswork, this is where that happens.

Selected Credits:
•Ubisoft
•Naughty Dog (The Last of Us, Uncharted)
•Marvel / Fox (The Wolverine)
•HBO Max (The Garcias)
•NFL, NBA, MLB, NHL
•Disney
•DreamWorks
•Lionsgate
 

Artist Collaborations:
•Timbaland
•Twista
•Sir Rosevelt (Zac Brown)
•Taeyeon
•Syleena Johnson
•Anita Ward
•Bruno Martini
•Jacob Banks

## Offerings

- Video call (15 min): $100.00

## Example Questions

- How can I get started in licensing music for Tv/Film?
- How do I prepare for the visual media industry

## Links

- [Expert profile](/GildeFlores)
- [Avatar](https://media.intro.co/avatars/4729521_m1i-MG.jpg)
- [Marketplace](/marketplace)